n3m3sis43: ((FMAB) Huuuughes and Winryyyy)
n3m3sis43 ([personal profile] n3m3sis43) wrote2013-01-17 11:34 pm

I'm On Your Side (Cliffton book 1, chapter 1)

This is chapter 1 of Cliffton book 1. Concrit is much appreciated. This story began life as Polemic, a story I wrote for LJ Idol last season.



It's not fair. It's not fair. That's all I can think, over and over, as I run. It's not fair.

Sweat trickles down my cheek as I crash through the underbrush. Summer's just begun, and already it's so hot that even breathing feels difficult. Running should be out of the question, but I'm doing it anyway. I'm making too much noise, but I don't care. All I want's to get to the hollow tree. Since I found it a year ago, it's become the place I go whenever I need to get away. Pushing aside branches and wiping at my face, I press onward. Thorns tear at my clothes, but I barely notice.

When I near the barbed wire fence, though, common sense starts to creep in. I need to be more careful. On the off chance there are actually troops here, I certainly don't want them to hear me. Not like there usually are, and no one's even bothered to repair the gap in the barbed wire I'm about to squeeze through. What's the point in securing a border most people would never want to cross anyway?

I approach the fence with cautious, measured steps, scaling it and dropping down lightly on the opposite side. Even moving slowly enough to avoid attracting attention, it doesn't take long to reach my destination. Parting the ferns that surround the tree, I crawl inside its trunk. Leaning against the ancient wood, I close my eyes and sigh loudly.

"Hello?" The male voice practically makes me jump out of my skin.

My eyes fly open and I let out a startled shriek. I look around frantically, searching for the owner of the voice. There's no one else inside the tree with me, and I don't dare step out to see if there's anyone outside. I want to ask who's there, but that's not any smarter than showing my face, so I huddle in silence instead. Maybe whoever it is will give up and go away.

No such luck. A grinning face appears just outside the opening I crawled through moments ago. Its owner's about my age, with skin nearly as brown as mine. That's where the similarities between us end, though. He's got a brawnier build than any boy I've ever seen, with yellow hair and ice blue eyes. I look at his broad smile and my face burns with righteous indignation.

"What in the blustering breezes are you doing here?" I shout. "This is my spot!"

"Your spot, eh?" I can hear the laughter in his voice. "From the looks of you, this isn't even your side of the fence. I should ask you the same question - what are you doing here? Don't you know you could be arrested or worse if you're caught?"

Of course I know that, and I know I shouldn't be talking to this boy. The people on the Other Side are war-loving savages, bred from birth to be cold-blooded killers. None of them are to be trusted, or so the Instructors would have us all believe.

"What do you care if I'm arrested?" I snort. "Aren't you supposed to be trying to kill me anyway?"

"If I wanted you dead, you would be by now." The boy smiles, and his strange blue eyes twinkle merrily. "There wouldn't be much 'trying' involved - I've trained for that my entire life." His smile fades a little at those last words.

Apparently, the Instructors got that part right. The people on the Other Side really are bred to kill. At least my blonde companion here is. Except so far, he's much more pleasant than some boys back home - and by "some boys", I mean Morgan, the one I'm supposed to marry. Ugh. The mere thought of my husband-to-be makes my stomach turn.

"Why don't you want to kill me?" My curiosity gets the better of me, and I have to ask.

"I don't want to kill anyone - besides, you're not the first person I've met from your side of the fence. Although you're by far the prettiest one - uh, I mean - um, I didn't mean to say that. Sorry." The boy's blushing so hard even his dark complexion can't hide it.

Obviously, the Instructors neglected to teach us a few details about the people on the Other Side.

"I'm Calla," I say, pushing a clump of sweaty hair out of my face.

"Pleased to meet you," the boy says, sticking out his hand. "I'm Kalen. Care to tell you what you're doing in my hiding place?" His arresting blue eyes twinkle again.

I'm probably insane for even talking to someone from the Other Side, but anything's better than going home right now. Besides, trained killer or not, he really doesn't seem very dangerous. Maybe the Instructors are wrong about the people across the fence. I'd certainly like to think they're wrong about me - or at least what they'd think of me if they could see inside my mind.

"Obviously, I'm hiding," I tell him. "Isn't that what people do in hiding spots?"

"Hiding from what?" Kalen asks.

"My future." The bitterness I normally have to hide creeps into my voice. "I hate the boy I'm supposed to marry."

"Why are you marrying him, then?" Kalen's forehead scrunches up. "I guess you have to?"

Tears spring to my eyes and I blink them away. Since I can't trust my voice not to break, I only nod. Not like marrying Morgan's the only thing I hate about the life I'm about to begin. I'm of age now, and when summer ends I'll begin my chosen career - if you call my decision an actual choice. The voice of my second-year teacher, Instructor Engstrom, echoes in my mind.

Acceptable Professions for agreeable young women are as follows: Floral Arranger, Instructor, Care Assistant, House Cleaner, Meal Preparer and Child Minder. These are the duties for which the female temperament is well-suited. All other careers are reserved for men. This ruling is in our best interest - to question it would be disagreeable indeed.

Being an Instructor seems the least demeaning option, so that's the one I've selected. It's now my calling to indoctrinate the next generation. When summer ends, I'll begin teaching little girls the evils of the Other Side. I'm not even sure I believe they're evil, especially now. Kalen seems like any other kid my age.

In fact, Kalen seems pretty nice. Part of me wants to confide in him, but the rest of me can't stomach the idea of blubbering in front of a complete stranger, so I change the subject. "Now, how about you tell me why you're in my spot?"

"I found it first - I've been coming here since I was just a boy." Kalen's tone is teasing, almost sing-song.

"Yeah." I roll my eyes. "Because you're sooooooo old and adult now."

"I'll have you know I'm old enough to work." His eyes sparkle and his voice is full of mirth. Then the laughter drains away, and his next words are quiet. "And I'm old enough to fight."

* * * * *

"Summer is halfway over already," Kalen groans, cracking his knuckles. "I can't believe it."

I sigh as I lean against the inside of the hollow tree, perspiration running down my back. Our hideout shields us from the sun, but it barely provides any relief from the oppressive heat. Summer here's unbearable, and I'd normally be all too happy to see it end. Except I'd rather drown in my own sweat than face what's in store for me when the cool breezes come.

"Ugh, don't remind me. I'm not excited about shaping young minds." I punctuate the words with air quotes.

"At least you don't have to go out and kill people, Calla." Kalen's voice has a bitter edge to it.

"Oh, you're right, Kalen." My condescending tone's completely forbidden in the presence of a man, but I can't help it now. "All I have to do is spend my nights pleasing a husband I hate and my days teaching children to despise a person I actually like. You've got it so much worse than I do."

"I'm... sorry, Calla." Kalen toys with the lace of his boot. "I know it's hard for you, too."

Shame wells up inside me, and I regret my angry words. It's not Kalen's fault I'm so disagreeable. Morgan's a desirable man, and I'm lucky to have him. It's hardly fair to compare my fate with his - I'm not being forced to murder anyone, am I?

"Are you sure there's nothing you can do to get out of fighting?" I reach out and touch Kalen's shoulder gently.

Kalen flushes bright red, a foolish grin spreading across his face, and I have to repress a sigh. I really do like Kalen, but not in that way. Encouraging his crush probably isn't the best idea, but at least he seems to have forgotten our quarrel?

"I, uh - " Kalen's sputtering like the engine on my pa's old tractor. "Well, I mean... we could start our own rebellion! My friends Wes and Devin are insurgents - I met them on the Splinternet. They're against the war like you and I are, and they have a million connections and know how to find components for weapons and... stuff."

"Come on, Kalen." I snort. "You've told me a thousand times you don't want to kill people. I can't even say 'no' to being wed to someone I'd dearly love to disembowel. We're not really rebellion material, are we?"

"I was just kidding, Calla," Kalen mumbles, and his face is practically purple now.

Today just isn't my day, is it? No matter what I say, it only seems to make things worse. I desperately scan the inside of our hideout, looking for a distraction. Didn't I leave a deck of cards last time I was here? A game of MegaRummy might be just the thing to take both our minds off our problems. My eyes fall on the enormous wooden crate Kalen brought with him today. It's large enough that he's using it for a bench, but it rattled when he carried it in.

"Um, Calla?" Kalen's never going to stop blushing, is he? "Why are you staring at my crotch like that?"

"I'm not, you dolt." So much for being agreeable. "I'm looking at the mysterious giant box underneath it. Are you ever going to tell me what's inside?" When I asked earlier, all he'd say was "it's a surprise". I'm not sure I like surprises, but I'll do anything to break the tension at this point.

"Oh yeah, I almost forgot!" Kalen's eyes light up. He stands, undoing a latch on the crate and swinging its lid open. "I can't believe your people don't have Robot Scrabble. What do you even do for fun?"

I don't know how to answer that question. Truth be told, most people where I live don't do much for fun. School, careers and household duties keep them far too busy for any pleasure activities. I've heard tell of parties from my rich friend Elise, but the average folks have no time or money to engage in such frivolities.

"Here, see for yourself." Kalen grins as he begins pulling odd metallic bits from inside the box. What in the blazing fires of Squail is this? For the first time, I notice the words "ROBOT SCRABBLE" stamped on its side in red block letters.

"Robot... Scrabble?" Is Kalen trying to play some kind of joke on me?

"Yup," Kalen says. "It's just like regular Scrabble, only better. Every time you play a word, you get to pull from the Parts Pile. The better your score, the more parts you can take. You use the parts to build a robot - when all the tiles are gone, your robots fight to the death. The player with the last robot standing is the winner!"

For a moment, I'm completely dumbstruck. Leave it to the Other Side to turn an innocuous word game into an act of war. "Kalen, is there anything your people do that doesn't involve fighting?" I finally manage.

"War is kind of a way of life for us." Kalen stops unpacking his robot bits, looking glum again.

"It's not like my people are much better, are they?" I point out. "They don't trust anyone, not even each other, and I don't see them doing anything to stop the fighting. Too bad we don't even know what the fighting's about."

"Hey!" Kalen brightens. "We may not be rebellion material, but we might at least be able to answer that question. I was browsing the Splinternet the other day and came across an old message board. The government was supposed to have shut them all down, but I guess they missed this one."

I nod and smile, as if I have the slightest clue what Kalen means. All the fancy gadgets and robots Kalen loves so much really aren't my thing. We've got CompuPanels at school, but we don't have one at home on the farm. I barely even know what this "Splinternet" he's constantly chattering about is, let alone a "message board". Maybe if I act interested in his technobabble, he'll get to the point eventually.

"So I was checking out the board," Kalen continues, "and I found an old map of the Majestic City region."

"Yeah, so?" I demand, then silently curse myself for speaking out of turn. It's not like I didn't intend to listen politely, but maps and history remind me of school. That's something I'd prefer not to think about too much right now.

"My people used to keep these archive-buildings back in the day." Kalen doesn't even seem to notice my flagrant disrespect. "They were called 'libraries' and they stored all sorts of information - anyone was allowed to go in and access whatever they wanted."

Free access to information? That's impossible. It has to be a myth, but I don't have the heart to tell Kalen that. He's so excited about his dweeby information-farm, and at least he's not moping or blushing now.

"Most of the libraries were burned ages ago, but the map shows one that's not known to be destroyed. It's out in the desert, probably a few hours' walk. We'd have to go at night - it's far too hot to hike that far during the day. We might need to bring a camping dome and some supplies as well; there's a good chance we'd need to bed down before making the return trip." So much for Kalen not blushing - the idea of "bedding down" with me's apparently too much for him. "What do you think, Calla?" he says, his voice getting awkwardly high.

"Sure, why not?" It sounds like a wild sprinch chase to me, but we've got nothing better to do besides sit around and think about the futures we wish we could change. Besides, on the off-chance the library does exist, finding out things we're not supposed to know might be at least a little interesting.

"Great!" Kalen seems to have recovered now. "But first, my robot is going to kick your robot's ass!"

* * * * *

"Are you sure you know what you're doing?" I ask Kalen for the thousandth time, brushing the beads of perspiration from my forehead. Summer's nearly over, but the weather shows no sign of cooling down. It's not the heat that's making me sweat now, though. I must be insane for getting myself into this.

"This part? Yeah, I'm fine." Kalen looks up from the tangle of wires before him with a nervous smile. "I wouldn't have been able to build the thing myself - my friend Devin's the one did most of that. But the wiring? A deranged squealer monkey could handle that part."

Why do I not find Kalen's words entirely reassuring? The fact that I've never even met this Devin person doesn't help. What if he doesn't know what he's doing and the bomb's defective? What if it explodes at a random time and kills us - or even worse, a bunch of innocent bystanders?

"You sure you want to do this?" Kalen's put aside his wires, and he's watching my face with concern. I'm sure he can see how nervous I am. "I won't hold it against you if you back out."

"Kalen. I'm not backing out." I wipe my clammy palms on my pants and try to look confident.

"Just making sure." Kalen grins mischievously. "I don't want to turn you into a savage like my people."

"Yeah, it's totally your people's fault," I say. "We're all a bunch of idiots."

We've been working out the details of this plan since our trip to the library. Before that day, we never would have dreamed of doing something like this. I would have meekly gone to my destiny as a wife and Instructor, and Kalen to his as a soldier. After what we found out in those forbidden books, though, this war seems more foolish than ever. If there's any chance we can stop it, we've got no choice but to try.

Kalen's forehead scrunches in concentration as he goes back to fiddling with the wires. I glance up at the sky, hoping to the highest heavens that he knows what he's doing. No one's believed in the Gods for centuries, but we need any help we can get.

"Finished!" he announces a moment later.

"All right, then. Let's do it." I raise the bullhorn to my lips, jumping as an eardrum-rending squeal issues from it. I hold it farther from my face and try again. "Attention, all citizens. Please gather at the border. Attention. Please gather at the border." A tremble tries to creep into my voice, but I hold it steady.

It takes a couple minutes, but faces begin to appear on both sides of the fence. Voices buzz, first with curiosity and then with puzzlement. One of the braver ones speaks out. "Why have you called us here, child?"

"Don't call me a child. I am of age, as is my friend here." I reach for Kalen's hand, and he slips it into mine with a gentle squeeze. "We are old enough to read and learn and question. And we are old enough to demand that this war end now."

I pause, hearing the drone of the crowd as it grows louder, angrier. The people press their bodies closer to the fence, and I imagine torches and pitchforks in their hands. No way are we getting out of this alive. I open my mouth to speak again, my throat drier than the desert sands on this side of the fence - Kalen's side.

Except I don't get a chance to say a word. The crowd parts, and even over the cacophony of voices I can hear the sound of marching feet, perfectly in sync. A group of armed soldiers emerges, their faces are hard and grim. All of them have blonde hair and blue eyes like Kalen's, but their eyes are icier than the coldest winter wind.

"You're under arrest in accordance with code 666781-2222 of martial law - tampering with the border."

That's when Kalen grabs the bullhorn from my hand. He holds up the detonator, his finger on the button. "Make no mistake - we're young, but this is no children's game." Kalen's voice is high and squeaky, and he clears his throat into the bullhorn, making it screech loudly. I resist the urge to cry out or clap my hands over my ears. "We've got a bomb, and we're not afraid to use it."

Raising their weapons, the soldiers step forward as one. "Everyone remain calm," the leader says, and the people gathered at the fence fall completely silent. "Let the boy speak."

"Do you even know what you're fighting for?" Kalen's words ring out across the sea of faces, frozen in terror. "Let me answer that for you - you don't, and neither does anyone else. Here is what we know, because we found the records our government failed to destroy. For centuries, our peoples were friends. They lived in harmony, trading goods and services. Our people - my side - were proficient inventors, while the Other Side was known for its agriculture and educational institutions. Did you know that our children studied in the schools on the Other Side? That marriages between our peoples were a common occurrence?"

Shock registers on the faces I can see. Voices murmur, but I can't make out the words.

"The records are incomplete; it's impossible to say exactly what changed. Some say the conflict began over trade disputes. Others blame the factions that disagreed with 'pollution of the genetic stream' - procreation between people on opposite sides. Rumors abounded - the Other Side believed we were building a super-weapon to destroy them, and we believed they were spying on us. No one knew the truth then, so how can we hope to ever know it now?"

The crowd's buzzing again, like a hive of angry trooper bees.

"Is this worth centuries of fighting?" Kalen demands, and his voice is cool and steady now. "This is the reason our children are trained to kill - taught to live in constant fear. It's nothing but foolishness, gossip and paranoia, and we won't stand for it anymore. Now step away from the fence before we blow you to bits."


(Next chapter is here)

[identity profile] theun4givables.livejournal.com 2013-01-18 01:46 pm (UTC)(link)
Upon rereading, and seeing this right after Whatever Makes You Happy (expanded) -- this is definitely the first chapter. There's more introduction to their world, what's wrong with it, how they want to fix it. It sets up the conflict of the book over all really well.

And then you get to Whatever Makes You Happy and it's like...Kalen, dude. You consider these guys to be real insurgents? Oops.

I loved the way this ended and the changes you made. You can definitely tell you have Calla's voice down because I knew this was her immediately. Good job. :)

[identity profile] n3m3sis43.livejournal.com 2013-01-18 05:59 pm (UTC)(link)
Yeah, you know I can't believe I didn't see it. Like, I like the symmetry of beginning and ending with Wes and Devin but as much as they took over my story, the book still isn't just about them. And it's more important for the reader to know the general setting and overall conflict first than it is for them to see what Wes and Devin did for a day.

Plus, switching the two chapters did give me the opportunity to create the amusing contrast (dramatic irony? not really but it is Kalen and the audience does become aware of said information before Kalen does?) between Kalen's perception of Wes and Devin as "insurgents" and the actual reality of their lives before Shit Gets Real.

And yay, thank you so much. I'm glad it works for you on the rewrite. :D

[identity profile] theun4givables.livejournal.com 2013-01-18 07:06 pm (UTC)(link)
Yeah, the book still isn't just about them -- but this is definitely the first chapter, even if the events of the second technically take place before/during this one.

It's a type of irony and I forget which -- I think situational? I have to look it up. Dramatic irony is when the reader knows something the character(s) doesn't. It might really be a combination of the two at work lolol.

And you're welcome. :)

[identity profile] alien-writings.livejournal.com 2013-01-18 07:08 pm (UTC)(link)
The rewrite is totally working here. The characters feel much more...like themselves, if that makes any sense. You can see Kalen being more, well, Kalen in this part and Calla's voice is certainly more "her" now. It definitely works as a first chapter, with the intro to their world and everything.

The ending? Very nice. :)

Good job! :)

[identity profile] n3m3sis43.livejournal.com 2013-01-18 07:12 pm (UTC)(link)
Yeah, I know that's what dramatic irony is and that's why I'm not sure if it exactly fits. The reader doesn't know Wes and Devin aren't insurgents at the time Kalen's expressing that he thinks they are. The scene where the reader finds that out takes place chronologically before that, so Kalen probably doesn't know then either. But somehow that does not feel like it reallllly fits the definition. :)

Maybe it is situational irony. I will have to look it up.

[identity profile] n3m3sis43.livejournal.com 2013-01-18 07:16 pm (UTC)(link)
Thanks! As much as I do think Kalen and Calla both go through personality shifts after the bomb goes off (Kalen because "oh shit, I fucked up" and Calla because "oh shit, I'm a robot") they didn't feel like them to me in the original version either. Which I suppose makes sense since that was the first story from this book I ever wrote and the second Cliffton story ever. :D

And yay, thank you. I'm really glad the ending worked for you. The marriage between the peoples thing randomly came to me as I was writing that part. I had no idea that was a thing.

Reading to the first set of **********

[identity profile] tai823.livejournal.com 2013-01-20 08:33 pm (UTC)(link)
REALLY love the opening line. If you had left it with just "It's not fair" I would have been slightly annoyed, but adding in the repetition, and the running, gives it a good introductory edge. Without even knowing who it is and why or where they're running, I'm already curious. (I'm a huge fiend when it comes to first lines. Probably because of the famous, "The man in black fled across the desert, and the gunslinger followed.")

The second paragraph gives a really nice push into the description without giving too much away. I like how it shows the negatives - it's too hot, too much noise, sweating, thorns, branches in the face. It adds to the urgency.

Now a fence! What's with the fence? Why is there a fence there? *is curious*

First suggestion - when the grinning face appears at the entrance of the tree, you use colors to indicate their appearance. Brown skin, yellow hair, ice blue eyes. Rather than use a simple word, try telling us what he looks like without telling us the color (it's a trick I learned from a creative writing professor, like saying someone's eyes are the color of dry winter skies rather than pale blue).

Oooooh so the fence IS important. I like this! The Other Side... very cool.

I like this contrast - mentioning how the Other Side is bred to kill, and her side has Instructors and arranged marriages.
I'd like to see her mulling over how the Instructors didn't teach them everything about the Other Side. The fact that she accepts it so readily kind of threw me - one moment she's thinking about how they're savages, bred to kill, and the next she's accepting that they can be nice and sweet and blush.

Also, I love the name Kalen so much.

Okay, as I read on I can kind of understand her readiness to accept Kalen. It's like... she's sort of at her wit's end. Like she's hitting rock bottom and she's desperate and falling to pieces and at this point she doesn't really care if she gets murdered by a savage or arrested or whatever. I get that sense really strongly off her, after just this little bit. LOVE IT.

I'm in love with Kalen. Oh God. Just finished the first section and I love him.

To the second set of **********

[identity profile] tai823.livejournal.com 2013-01-20 08:41 pm (UTC)(link)
I noticed in the first bit of dialogue that they say each other's name a lot. If they're the only people there, and the tags and tone of the conversation make it clear who's speaking, you don't need to say their names so much. In typical conversation, people rarely address each other by name - just something that stood out of me. :)

Hehehe, "dearly love to disembowel". Oh man. I giggled hysterically at that. I love her tone, her sacrasm - it's not too heavy, so it comes across very natural and comfortable when reading.

I want Robot Scrabble. BADLY.

I'm really loving the drastic contrast between their two worlds - the techno-centric savages (sounds very dystopian!) and the... hmm... the city of light, as I keep thinking of it. Beautiful and peaceful and everyone works and has no time for anything, including thinking, and information is so regulated... it's like they're both living in apocalyptic worlds, but ones that went in completely separate ways, divided by a fence.

FORBIDDEN LIBRARY. I'm suddenly reminded of "The Book of Eli", the forbidden books. Oh I love this. Delicious.

Final Section

[identity profile] tai823.livejournal.com 2013-01-20 08:51 pm (UTC)(link)
Kalen's language is so casual and natural. He feels like an entirely real person.

Oooh, the absence of religion. I find that really interesting, and a really cool fact.

I LOVE how you managed to explain the trip to the library without actually setting the scene in it. The determination that comes from Calla and Kalen, their defiance, their tone and language - you can tell that something very important changed in them in that library. That their truths and beliefs came down, that it aged them in ways that it shouldn't have.

I am a little curious as to how old they are, exactly, but I picture them as... late teens?

I do feel a little cool toward Calla's character. She feels... sarcastic, almost. At the beginning I sympathized with her intensely, her flight through the forest and her despair at her life, but after that she comes across almost petulant. I'd love to see more of her character developed so that my sympathy continues for her, that I continue to love and respect and care for her survival and future.

Kalen, on the other hand, immediately begins as a likeable character. His teasing tone, his obviously lovely appearance (very Aryan, which I found cool and interesting), his clear intellect and boyish delight in things. It made his transition at the end, his speech into the bullhorn, entirely shocking - almost too shocking. His moments of darkness and his cautious mention of rebellion seems a little out of character - and like Calla, I would love to see this explored more before it gets to the bomb.

THAT SAID - I loved this. I'm entirely captured by it. Their world is so divided (haha) and so different, it's almost as if they come from separate planets. I want to read more - I know that I WILL read more, because it speaks to me and I'm given just enough tidbits about their lives to want to know what comes next.

Re: Reading to the first set of **********

[identity profile] n3m3sis43.livejournal.com 2013-01-21 04:43 pm (UTC)(link)
Yay! I'm kind of a sucker for opening lines. And punchy one-line endings although sometimes those bite me in the butt by not being as punchy as I wish they were.

As far as your first suggestion goes... Calla's kind of no-nonsense as a character, so I'm not sure how interesting she would go with her descriptions (Brendan, Devin, and Wes are all sometimes prone to being more flowery - sometimes). I wonder if there is a happy medium between what I have now and what you suggested.

And yay, good. I'm glad Calla's readiness to accept Kalen makes more sense as you go. Although I'm trying to decide if the fact that it threw you at first is okay. I think it is, if it feels like a keep-you-guessing thing and not a "this totally doesn't make sense" thing.

Have to say it breaks my heart a little that you love Kalen. I mean, it's good, really. But yeah. He's not evil or anything. None of them really are, but yeah. You'll see.

Re: To the second set of **********

[identity profile] n3m3sis43.livejournal.com 2013-01-21 04:49 pm (UTC)(link)
Yeah, that is awkward. Thank you, because I have no idea why but I think that's a thing I accidentally do and never remember to check for.

Calla really would dearly love to disembowel Morgan. She's kind of mean, and also she's not entirely wrong in that. But that doesn't come up until later.

I owe the Robot Scrabble idea to my friend [personal profile] alien_writings, who suggested it when I was writing the original incarnation of this story as an LJ Idol piece last year.

And YES YAY AWESOME that is exactly how I want it to come across. Although now I need to panic and read the first half of the book and make sure I am doing that intro to their worlds justice and not getting too bogged down in character development and intros and people getting to know each other. You know that thing in Stephen King books where people dick around a whole bunch and talk before anything actually happens? Yeah. I may have caught a bit of that from him. He is also responsible for my lack of desire to write in dialect EVER. He's an influence, but whether or not he's a good influence remains to be seen. ;-)

Re: Reading to the first set of **********

[identity profile] tai823.livejournal.com 2013-01-21 05:07 pm (UTC)(link)
*laughs* I have the same problem with one-line-endings. I always think they sound awesome, but they're not always that awesome, and then I'm all sad.

The way I usually work it with no-nonsense characters is by comparing people to very static things. With my Ethan (from Wolves of the White Queen), he compares people stone, metal, cold and inert things. His best friend, however, compares people to flowers, mountains, seasons, fabrics, anything that's bright and exciting.

Oh no, it wasn't a "this totally doesn't make sense" thing. If anything, it made me look at Calla differently (in a good way), because she's obviously been raised to hate and fear these people but she accepts Kalen very easily, so it's an eyebrow-raiser and a curiousity.

I always tend to love tragic characters. I gravitate toward them like they're little black holes ready to suck in my affection and pummel me with crushing feels. Because that's how I roll. *sagenod*

Re: Final Section

[identity profile] n3m3sis43.livejournal.com 2013-01-21 05:11 pm (UTC)(link)
Ok, yay. I time-skip a lot and I'm glad skipping the library trip itself worked for you, because I was worried about that. I think some people find my time-skippiness confusing or distracting, at least at first. Well, one of my friends has mentioned it being confusing in one story. So if you notice it being at any point, definitely let me know. Although given that you write out of order (or at least Edi tells you stuff out of order), I'm thinking you might be like me and have more of a tolerance for that kind of thing.

Yup, late teens. Kalen and Calla are both 17 at the start of the book. Brendan is 18, Devin is 21 and Wes is 22. Wes and Devin do not act their ages very well.

I'm torn on whether your impression of Calla is a problem or not. The thing is, she is kind of sarcastic with a tendency to be actually mean overall. And at the beginning of the book, she's really pissed off about her situation in life in general. Except... the problem is - well, there are two. I kind of didn't want/expect her pissed-offedness/petulance to come through so much until the next chapter she's in. And I can't decide if I was wrong about that all along and it happens earlier (I can accept the possibility of that) or if I just did a clumsy edit. The last section is the one that got edited the least from its original version. The original version was written before I knew any of the characters at all (it was the first story I wrote about them at all). So hm I'm trying to decide whether I'm wrong about when exactly she gets really pissed off or if her voice isn't coming through correctly in that part or what. Her character does get developed, although it might take a few minutes for you to warm up to her.

Kalen's appearance is important, although you do not necessarily find that out until book 2 because my characters think they're better researchers than they actually are.

His moments of darkness and mention of rebellion are out of character for him, but they also aren't. His character is the hardest for me in this book, both because he speaks to me the least (Wes and Devin talk over him any time they are in a scene with him, so I kind of don't blame him) and also because what he does in the first chapter is something he wants to do but it is way out of character. It takes a toll on him for the rest of the book and I'm not sure I'm doing a great job telling the rest of his story in this book. Maybe this is something you can help me figure out if you end up sticking with me through this whole thing. :D

Thanks again for your thoughtful and interesting comments. I'm going to try to stop angsting about whether the rest of the book is going to be a disappointment after this opening.

Re: To the second set of **********

[identity profile] tai823.livejournal.com 2013-01-21 05:13 pm (UTC)(link)
I tend to do it a lot too - I've learned to stop thanks to my internal editor hanging over my shoulder and smacking me every time I write a name unnecessarily (he's very antagonistic and violent, my internal editor).

I like that about Calla, honestly. Describing a violent and gory act with such smooth language (dearly love) makes her seem both sophisticated and somewhat-evil.

Well the cool thing is, once you introduce the worlds and how they are set up, the characters continue to develop it. The cool thing is that now that I know where they come from, I can understand the way Calla and Kalen act, and you do a great job of making their personalities really reflect the societys that molded them (does that make sense? I'm severely medicated this morning).

Oh yeah, King has that effect on me, too. I have a tendency to do a lot of circling-the-point rather than getting-to-the-point, forgetting that he can get away with it because he's established and awesome, whereas I'm all HYUK LOOK AT ME I WRITE THINGS.

Re: Reading to the first set of **********

[identity profile] n3m3sis43.livejournal.com 2013-01-21 05:16 pm (UTC)(link)
Yeah, I have some good one-line ending, but I absolutely have a few chapters that are having their one-line endings removed or edited with severe prejudice. Oops. :D

Ooh, I like that idea with the descriptions. Thank you.

Kalen does end up being kind of tragic, but it's not in a pretty, showy way. I promise you an affection black hole, though. ;-)

Re: To the second set of **********

[identity profile] n3m3sis43.livejournal.com 2013-01-21 05:20 pm (UTC)(link)
Ahahaha, at least it is not just me with the characters-dicking-around thing. I mean, I think a lot of it is warranted because it does establish things about their relationships and a lot of the "plot" of the book centers around those anyway. Like, even a lot of the action ends up kind of character-drama-y because that's the story my characters decided it was going to be. I did not entirely get a say in the matter, but I want to make sure I don't get so bogged down in it the whole story becomes pointless. :D

Re: Final Section

[identity profile] tai823.livejournal.com 2013-01-21 05:26 pm (UTC)(link)
You have no worries about me sticking with you through the whole thing. :)

I should add that while I'm cool toward her character, I don't dislike Calla - she interests me, especially in that I want to know what she's so angry about, and how she came to be angry. Because the awesome thing is that you presented her side of the fence to be very utopic in nature, so her dissatisfaction with her life makes her seem strong (because she won't accept the "agreeable woman" role), rebellious (which is an awesome trait), and a free-thinker. These are all traits that make her interesting and help me ignore the sarcasm, because the sarcasm is just a direct result of her unhappiness - and that much is obvious.

I should also note that I don't always have strong attachments to female characters (the majority of my protagonists are always male), so that may have influenced a little, too.

TL;DR is I think Calla is very well desgined - I wouldn't suggest editing her, tbh, because she's strong and strong-willed and there's a definite lack of that in literature. I like her fiery nature, it'll just take me personally a little time to warm up.

Time-skipping is just fine with me. It made the library mysterious and awesome and made me want to know more about what they read there (since you only gave little hints and made it so ominous).

I'm sure Kalen turns out just fine. I'm looking forward to seeing what you do with him. Quiet characters are hard to write but you really made him shine already. :)

DON'T ANGST. *hugs*

Re: Reading to the first set of **********

[identity profile] tai823.livejournal.com 2013-01-21 05:27 pm (UTC)(link)
Oh boy. *gets the tissues ready*

Re: To the second set of **********

[identity profile] tai823.livejournal.com 2013-01-21 05:28 pm (UTC)(link)
Honestly, I do love a lot of dialogue. I think it's because I'm the shits at writing description but I love penning the way people talk. And my characters are loud and obnoxious and demand their funny one-liners and excessive cursewords make their way into everything, so I mostly don't have a choice, either.

You should hear Doc on a bad day. Oh god.

Re: Final Section

[identity profile] n3m3sis43.livejournal.com 2013-01-21 05:34 pm (UTC)(link)
I am like that with female characters, too. She is my only actual female character and she's less stereotypically feminine than some of my male characters. I have mommy issues and do not always identify well with women, and I'm not always the most feminine person. ;-)

Calla can be just plain mean, which amuses me and also makes me a little uncomfortable. She probably gets more pleasure out of hurting people than any of my other characters, though she is not necessarily the one who does the most hurting. It took me a long time to get in touch with her personality, but I've warmed up to her overall. She's also the easiest of my characters to write because she's observant and generally honest and mostly does not have her head up her ass.

I will try not to angst. :D

*hugs back*

Re: To the second set of **********

[identity profile] n3m3sis43.livejournal.com 2013-01-21 05:38 pm (UTC)(link)
Doc kind of reminds me of one of my characters. Maybe. I will let you decide if/when you ever want to venture a guess about which one. It's an imperfect comparison because none of my characters have the level of actual knowledge/understanding that Doc seems to possess. Your comment confirms this comparison in my mind for now, though. :D

(In other words, I have a character who does. Not. Shut. Up. God.)
Edited 2013-01-21 17:42 (UTC)

Re: To the second set of **********

[identity profile] tai823.livejournal.com 2013-01-21 05:52 pm (UTC)(link)
*snickers* Doc only has the knowledge and understanding because it was given to him. He would rather he didn't. And Part IV is post-Crash, when everything has changed and everyone is kind of traumatized (end of the world will do that to ya). I think you'll enjoy Doc a lot more in the next part (Part I) where he's generally more talkative and obnoxious.

Re: To the second set of **********

[identity profile] n3m3sis43.livejournal.com 2013-01-21 05:55 pm (UTC)(link)
I kind of enjoy traumatized characters. Also obnoxious ones. I write both. :D

[identity profile] jem0000000.livejournal.com 2013-01-28 09:42 am (UTC)(link)
Oh, the irony! That last paragraph has made me lol all three times I've read this.

I'm going to email you comments, both to avoid LJ's character length and because it might be easier to have them in email than on LJ. (Or most people seem to prefer betaing in email rather than on LJ, anyway.) I just wanted to say that I liked it, and I think you're off to a good start. :)

[identity profile] n3m3sis43.livejournal.com 2013-01-28 11:26 am (UTC)(link)
Thank you so much for betaing! :D

The ending for the original version of this story/chapter was even lulzier, to the point where it was kind of too ridiculous. If the updated ending retained a little bit of that humor, I'm happy.

I will reply to your comments through email pretty soon, when I wake up, etc. Thank you so much for taking the time to do this!

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