n3m3sis43: ((FMAB) Huuuughes and Winryyyy)
The Voice in my Head
(inspired by Dr. Seuss's The Cat in the Hat)



The words would not flow.
It was too hard to write.
So I stared at the screen
all day long and all night.

I messaged Alicia.
We chatted a bit.
And I said, "How I wish
all my writing weren't shit!"

My muse was away
and would not come to call.
So I wasted my day.
I wrote nothing at all.

So all I could do was to
sit!
  sit!
    sit!
      sit!
And I did not like it.
Not one little bit.

Then I said, "What the fuck?
I don't care if it sucks."
I typed,
then deleted and whined to my friend,
"It's tripe!"
And I heard it.
The voice in my head.
And it said to me,
"What kind of 'writer' are you?
Your plot's full of holes
and your humor's not funny.
And nobody
likes your main character, honey."

"I know some good ways I could help,"
said the voice.
"I have some good crit,"
said the voice in my head.
"A lot of good crit.
I will give it to you.
"Your 'readers' will thank me so much if I do."

Then suddenly I
did not know what to say.
My word count was already low
for the day.

But my friend said, "No! No!
Make that voice go away!
Tell that voice in your head
you do NOT want to play.
It should not be there.
It will make you morose.
It should not be there
With your deadline so close!"

"Now! Now! Have no fear.
Have no fear!" the voice pled.
"My crit is not bad,"
said the voice in my head.
"Why, this could be
quite a good piece," the voice said,
"with a technique I call
rip-rip-rip it to shreds!"

"Fucking Christ," said my friend.
"Let's not do this again!"
"Gotta go," said my friend,
and she signed off IM.

"Have no fear!" said the voice.
"I would not steer you wrong.
I will beta for you
I will make your piece strong.
By deleting this poo
and then writing instead--
good words," said the voice, said the voice
in my head.

"Look at this!
Look at your ghastly word choice.
And your info-dumps, oh--
and your character's voice!
He can't talk like this, dude!
He can't say 'fuck' this much!
Oh, the sentence fragments!
And your 'worldbuilding' sucks!
And look!
This is not realistic at all!
But that is not all!
Oh, no.
That is not all..."

"Listen up!
Listen up!
Listen up NOW!
It is good to use words
but you have to know how.
I can teach you to write
things that people will read!
Just as soon as you scrap
this ridiculous screed.
You must shitcan this 'plot'--
your 'protagonist,' too!
And then with my help
you can write something new.
You can write something great
if you do as I say!
But never your way.
Oh, no.
Never your way."

That is what the voice said...
So I sat on my bed.
I sat there like a lump
and I wanted to quit.
Then I said to the voice,
"Fuck you and all your 'crit'!"

So I took a long nap
and I thought and I thought.
I said, "Are you helping?
Oh, no! You are not.
You're not helping me grow
or write something worth shit.
No, you are not helping,
not one little bit!"

"Get out of my head!"
said myself to the voice.
"I have to write now!
Deadline's Monday--no choice!
You tore down my plot
and my characters too.
You wasted my time
and I wrote nothing new.
You SHOULD NOT be here,
mean old voice in my head."
So I banished that voice
and I wrote this instead.

n3m3sis43: ((FMAB) Huuuughes and Winryyyy)
Deep in the bowels of the city, a garden grows.

The city itself is sickly and gray, choked by the smog that swathes it day and night. Buildings stand empty, windows broken and boarded, and no weeds push through the cracks in the crumbling pavement. Pallid people come and go, sad, silent bundles of twigs trundling past dead trees in sidewalk cages. Their eyes are dull, despondent as the grimy glass fronts of the few surviving stores. Only the near-feral children show signs of life, roaming the streets in grungy packs.

But within the garden, the air is always clean and fresh. Sunlight filters in through an impossible canopy of green. Enormous blooms of every color imaginable nod in the gentle breeze, and the ground is carpeted with soft grass and sweet-smelling wildflowers.

And within the garden, she waits, her massive jaws open wide.

Her mouth is a brilliant fuchsia blaze. Near her wicked, glistening teeth, the flesh fades to a delicate pink, translucent as an infant's ear. She yawns, stretching sluggish extremities; the winter has been long and so has her slumber. But now a warm breeze blows and a pungent, earthy aroma rises up all around her. And the wind brings with it another scent, this one weaker but far more tempting: prey.

A deep, aching hunger gnaws at her insides. Her leaves quiver; liquid drips from her fangs. Two-legged beasts, not just one but many. Vines unfurl, slithering through streets and creeping around corners. They zero in, near enough to hear. To touch.

Six of the animals dash through the city, big and brawny juveniles, pursuing their own quarry. Their sweat and shouts fill the dry, dead air. Up close, the smell of fresh meat is maddening; she longs to grab the nearest one and be done with it. But she knows better. She needs more than one, and she can't ensnare them all from this distance. With grim restraint, she turns her attention to their target. It crouches in an alley, panting. This one is scrawny, hardly even enough for an appetizer. No matter--she'll save it for the wildflowers.

With one trembling tendril, she reaches out and taps it on the shoulder.

This way. She speaks directly into its mind, what little it possesses. You'll be safe here.

In the delirium of near-starvation, she senses something impossible. Something beyond the primitive, gabbling thought process of which these creatures are capable. There are words, full sentences, with a cold coherence that can only be a hallucination.

It's probably a trap, it thinks, but what other choice do I have?

She feels a flicker of doubt, but the beasts are not intelligent; everyone knows that. They are food, pure and simple.

Follow the vines. She curls a slim feeler, beckoning. I will protect you.

Howls of triumph ring out; its hiding place has been discovered. Its compact body explodes into action and its tiny mind falls silent. She hears only the rasp of its quickening respiration, the slap of its shoes against the ancient asphalt. It moves toward her, its would-be predators following. As the beasts approach, her consciousness winks out of existence. The urge to feed eclipses all else.

They burst into the garden. With her last shred of self-discipline, she bats the small one aside. Her serrated jaws snap shut around the others; their tender flesh gives way and hot juices drench her tongue and dribble from her lips. She sighs, relishing the crunch of bones between her teeth. A pleasant lassitude steals over her. Her leaves droop, and for a time the ecstasy of fullness is all she knows.

Why didn't you eat me, too?

She comes back to herself with a start. The small beast stands near the edge of the garden, its fur-tufted head bowed like a blossom too heavy for its slender stem. Outrunning its pursuers has come at a cost; its bony chest heaves with every labored breath. She wonders why its lungs, unlike the others', are not adapted to the city's poisoned air. Why it hasn't tried to flee nonetheless.

I'm not from the city. It lifts its head to look at her, its pupils dilated. I don't have anywhere else to go.

Her insides twist once more, but not with hunger. It won't last a day in this city. Though she's devoured countless of its kind with no compunctions, this one is different. She unrolls her vines, baring her stem in a gesture of welcome. You have somewhere now.

It blinks at her, a silent, strange intelligence in its dark eyes. Cautiously, it crosses the garden to meet her, wrapping its spindly arms around her stem. This is its way of showing gratitude, she surmises. Secure in the knowledge she has done the right thing, she sighs. Gorged on food and fellowship, she enfolds her new companion in slender shoots of greenery, and--

"I'm sorry," it says in a cracked whisper. "With what you'll fetch me on the black market, I can eat for a year."

Something sharp pierces the soft spot beneath her jaws, and the world goes black.

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July 2024

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